Julian Jeweil (Podcast) 2012 SET PODCAST

Track list:

Intro (Karo) Piso Records

Aymara (Kaiserdisco) Drumcode

Get it Done (Christian Smith) Tronic

Dikspring (Matador) M-nus

Got me down (Pig and Dan) Terminal M

30 northeast (John Digweed and Nick Muir) Julian Jeweil rmx Bedrock

Suck my Soul (Justin James) M-nus

Artillery (Layo and Bushwacka!) Plus 8

Colour Block (Calculus) Julian Jeweil rmx Octopus

Kingswing (Matador) M-nus

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. Karotte - Karottes Kitchen (01-02-2012)

There are loads of DJs. Sometimes far too many. Sometimes far too few truly good ones. But what is a good DJ, anyway? Especially within the club culture, good does not always mean that which people like.
But good is also certainly not something unpleasant, irritating or accentuatedly contrary. So, perhaps a good DJ is one that brings both together. One who plays music - or designs a night - in such a way, that his performance has „pleased” everybody, that the music induced joy and euphoria, and which perhaps was even inspiring for all of those present. Nevertheless, such a good set has blemishes, small shock effects, unusual tracks, absurdities. By making a game of these infractions of the rules a good DJ creates his own style, his signature. And the longer and more tenaciously he does that, the better he will be able to master it.

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Marcel Dettmann - Live @ Boiler Room-005-(Berlin Germany)(29-12-2011)

Three hours ago he had catched the last train after a gig in Leipzig, heading for his set in Berlin the very same night. But Dettmann missed to get off – and suddenly has found himself stuck at dead end Hamburg main station: no trains till morning, no one to call for a ride. Promptly – and without any hesitation about the ridiculous charge – he hires a cab, having only one thing in mind: Berlin, Berghain, the Club …
Consequently nothing but the Club as a musical and cultural lifeworld forms and defines the life of Marcel Dettmann, who was born in the GDR in 1977 and raised with east-german youth culture. Influenced by EBM and Wave he faces the offspring of virgin Techno in early nineties’s Berlin and gets socialized with this new-born subcultural scene, whose way of life he shall live and develop untill today. On the one hand he has spinned records since 1994 including residency continuum at Berlin’s Ostgut/Berghain right from its opening in 1999. On the other Dettmann started to produce and release tracks and remixes in 2006. Beside Ostgut Ton first and foremost his self-run label MDR provides the necessary and appropriate outlet: no compromise, free, independent, facilitating the “quest for the optimal track”. His engagement at Berlin’s Technosaur Hard Wax also supports his innate quest: the continuous exploration of electronic music development.
Dettmann’s persistent reply to inquiries on his DJ-style – no doubts about its foundational and just natural club-oriented functionality – simply and sparsely reads “dark” and “the dark side”. At a closer look this brings to light a certain fascination in Techno: a futuristic medium inherently pointing towards the new and unseen, unexplored and unknown, undefined and unexpected.
For Dettmann Techno depicts a determination of both his life and music. At the same time it opens up the needed space to develop thoughts, actions and creations. Eventually Dettmann is having only this space in mind: Berlin, Berghain, the Club …

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Jurek Przezdziecki - Live Excerpts Audioriver Festival 2011

Jerzy Przezdziecki was born in Warsaw, Poland in 1973. At the age of 10, as a result of his early, classical fascination with Chopin, Beethoven and Bach, he started his piano lessons. At that time he totally felt in love with music. As the years went by, his passion was getting stronger and stronger. Studying at the Warsaw College of Art he had the first opportunity to hear some electronic - mostly new beat and industrial – music. Front 242, Psychic TV, Throbbing Gristle, SPK and Coil changed Jurek’s attitude for the music forever. It was no longer enough to listen. He wanted to create. No matter what music genre he’s currently in, there’s always one goal: originality

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Sublee and Vlad Dinu, The Mission Podcast 28.01.2012

One half of the production duo Marsomatic 700, with their first upcoming release on NYC label Nil due early 2012, Sublee is one act to keep your heart and minds open for. Creating music is like love; you don’t have to be close minded and stay on a track. Experiment, play with sounds; understand and love them. Sounds you can see and hear, take us to places we have never been before, and bring us feelings never reached. This is the way I see it, emphatically states Sublee.

Vlad Dinu is true music lover since 1982, his musical influence ranges from deep groovy house to dancefloor killers. Has played  with names like Praslea, Cezar, Kozo, Tulbure, Suciu and more. Constantly reinventing himself, Vlad Dinu ensures the party goes on and the dancefloor is packed with happy people.

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